Logic Pro vs Ableton: Which is The Better DAW? – Guitar Space.Ableton VS Logic. Which one of these tools are the best?
Yes, it is if you want more features, sounds and editing and mixing capabilities. Logic Pro X is like GarageBand on steroids. GarageBand is basically a heavily. I found Logic pro very professional software but it works on mac only. So if you are a mac user it could be a choice other than Ableton. Many consider Logic Pro X to be the best mastering environment. While Ableton is more of a live performance environment. This doesn’t mean you can’t do both in.
– Logic pro x vs ableton 2018 free
For a long while, the two largest applications within music production software have been Logic Pro X owned by Apple and Ableton Live or simply Live owned by Ableton.
Given their popularity and widespread use among amateur and professional musicians and producers, it is worth comparing the platforms and assessing the pros and cons of each. It is worth noting that rather than any qualitative assessment, this article seeks to identify which service will work better for each individual customer.
Thus, we will break down our comparisons into categories. When you first open a new project on Logic Pro, you are greeted by a clear and easily understandable dropdown menu, asking what type of track you would like to open. These include a software instrument, an audio input, a guitar or bass input, a software drummer, and an external MIDI input. After choosing our desired track type, we are presented with a superbly designed format for linear music production.
Logic Pro X is clear and incredibly easy to navigate, freeing the user of any initially overwhelming confusion. This is perfect for beginners who aim to learn the functions of Logic at their own pace, and also good for any users who are easily confused by too much information.
Though there are many complex and hidden features, you will gradually discover these assets over time. Indeed, one of the joys of Logic is this process of discovery. Crucially, if any user is confused or unsure of a button or element of the app, the help button in the top left corner will be of immense use. Once clicked, the user can hover over almost every part of the Logic Pro interface and find an explanation to suit their needs. Secondly, the recording layout is very comprehensible, providing a simple row of horizontally recorded tracks.
The library of instrument patches and the inspector menu can be found to the left of the recording workspace. One of the strengths of Logic is the delineation between different sections, instrument plug-ins, and effect layouts. This makes the production process much easier. Thus, in terms of layout and design, Logic will be perfect for any users who are already acclimated to the GarageBand setup or who prefer slightly more differentiated styles.
Ableton Live, which boasts a more minimalistic and less flashy design, may alienate users who have grown up using the Apple music production format GarageBand and Logic. This is not a flaw of Ableton Live but rather a small barrier for Apple users to work past before appreciating its expansive capabilities. Where Logic Pro uses color differences and clearly delineated sections to provide clarity, Ableton Live, with its more uniform coloring which can be changed in settings , aims for a more mature, utilitarian interface.
Though it is certainly clear and easy to navigate, Ableton avoids flashy, stylistically distinct plug-in designs unless you download third party plug-ins and opts instead to maintain a tried-and-true format throughout. Luckily, this design is simple, easy, and clearly laid-out. Thus if you prefer stylistic consistency and minimalism, Ableton Live might be for you.
In addition, Live is a much more efficient platform to work with. For example, where in Logic, one must first select a specific tool for the mouse before making an edit or addition, Live usually has a one-step, easy shortcut for editing audio or MIDI clips. Linear arrangement refers to the work format of the app.
Rather than loop-oriented arrangement which is well-suited for live gigs , linear arrangement is the go-to format for producers who are writing new music in the studio. In its most basic sense, it means writing music from left to right. Thus, how do they compare in this feature? It is simple, clear, and easily understandable. The track headers which include the track name, volume, a pan knob, and the mute or solo button are arranged in a row down the left side of the workspace.
This is well designed and logical to the eye given the general progression from left to right on the screen. In addition, the looping process is simple and the flexibility and short-cutting that is possible on Logic Pro is undeniably impressive. It is an incredible asset though one can do all of these functions in Ableton, it is arguably less clearly laid-out.
One of the few downsides of Logic is the lack of speed in its workflow when compared to Ableton. Where Ableton allows for an incredible amount of speedy shortcuts, Logic sometimes requires a few more steps. A unique strength of Logic, however, is its emphasis on mixing and mastering. This makes it the preferred option for film composers and those who are prioritizing the mixing process over the sound design process.
The setup, with its track headers to the right of the workspace, is perhaps initially disorienting to newcomers but after a very short period of acclimatization, the format starts to impress.
Live contains an equally strong MIDI and Audio recording function, and an excellent automation process. In addition, Ableton Live is the more streamlined, efficient approach to music production.
With its extensive shortcuts and multiple avenues for achieving one goal, Ableton Live will be better suited to producers who like to create quickly with little hassle. Logic, on the other hand, might be better suited to the more leisurely producer. Live also allows the producer to move to any part of the composition while maintaining the continuity of the song.
In other words, Ableton Live jumps playback to the desired point without skipping a beat. Though this may seem like a small thing, it is one of the many unique qualities of the Ableton platform. This allows multiple producers on the same local network to link their devices across a range of hardware and apps and collaborate while keeping in time.
This can create a fun and highly unique production experience. Thus, with the exception of Ableton Link, there is very little to divide the arrangement views of Ableton Live and Logic and ultimately your choice depends upon your own requirements and preferences. Aside from the preferred design and layout which is completely subjective , Live might be better for a more streamlined approach perhaps this is better for electronic producers , while Logic is more suitable for a beginner due to its easy learning curve or a more traditional composer.
It is now the standard piece of software for live DJing and dance music production. Its grid-based arrangement of columns, each containing a variety of clip slots for each audio or MIDI input, is innovative and highly intuitive allowing the producer to make tracks on the fly.
In addition, the Ableton Live Session View allows the producer to play any of these loops in perfect sync with the others. Ableton Live also contains the highly useful Follow Actions button which allows the producer to automate the launching of multiple loops in a variety of arrangements. This is unique to Live and has yet to be copied. This contains a Session View which has been seamlessly imported, improved, and expanded into the Logic Pro X interface. The loop table functions very similarly to the Ableton Live loop setup.
The only major difference is the ability of Logic to have the Session View and the linear arrangement open at the same time. Thus, if you are a producer looking for software to perform live with, Ableton is probably your best bet. That being said, if you are familiar with the Logic interface and prefer the functions of the Logic platform, there is not enough of a difference in quality to justify spending a huge amount more on Ableton Live.
Thus, due to the broadly similar quality between both services, the choice is really determined by the overall feel and design of the function.
If you prioritize design over functionality and prefer or are familiar through GarageBand on iOS with the Logic platform, this is probably the better version. In addition, the Follow Actions function gives Ableton Live a slight edge. Beginning in , as Notator Logic, Logic has since fine-tuned and expanded the capabilities of this function. The score editor is particularly useful for traditional classical composers and film score composers.
This exemplifies how Logic is perhaps better suited to traditional production as opposed to electronic music. In addition, the MIDI quantization, transformation, and simple editing functions are innovative and staggeringly intuitive. And if you have Suite edition or bought Max for Live separately , you can get tons of free Max for Live MIDI devices — from chord generators to experimental polyrhythm sequencers.
As for Audio recording and editing, it truly depends on your priorities. Logic is better suited for those producers who are seeking to record live bands, vocals, and organic instrumentation due to its emphasis on the EQ, pitch correction, and mixing functions. This is good for producers working with multiple takes.
In conclusion, once again, if you prioritize a speedy workflow and electronic music production over traditional production and organic instrumental recording, Ableton Live may be for you. Alternatively, if you want to replicate the conditions of an actual recording studio, Logic might be your best bet. The instrument and effect libraries for both platforms are comprehensive and, with time, have become exceedingly impressive.
Ableton Live has 17 fantastic virtual instruments not including the extraordinarily extensive Max for Live add-on. The Intro Edition has just 4 and the Standard Edition has 6. They allow for a more experimental and boundless range of sounds. Whether this is an issue is obviously completely subjective. There are also lots of hardware gear controllers so you can program, control and automate parameters of your outboard synths and drum machines without touching them.
Moreover, this add-on gives you the unique ability to create your own instruments and effects. This is unavailable in Logic, and is another example of the endless creative freedom of Ableton. The innovative Sculpture provides a unique sound-moulding experience, while the Retro Synth is great fun to use for any vintage sounds.
Even without the Max for Live add-ons and the ability to create your own effects, Ableton is an incredible asset to producers. Same applies to plugins and effect, you can search them by name and that really speeds up the workflow if you have a lot of 3rd party plugins.
An example of this is one of its standout features: the excellent track-integrated Channel EQ. This simplifies post-production and avoids the search through EQ types that most platforms necessitate. Here, almost all of the effects look fantastic and modern especially Chromaverb, Channel EQ, and their excellent range of compressors. Logic also contains a great inbuilt pitch correction device.
This makes it more suitable for vocalists and songwriters. In conclusion, both services contain excellent instruments and effects but are perhaps oriented towards slightly different purposes. Ableton Live allows for an astonishing level of creative freedom regarding sonic experimentation while Logic is perfect for more traditional songwriters and musicians. That being said, songwriters can certainly use Ableton, and electronic producers will still be afforded an excellent range of capabilities with Logic Pro.
In terms of pricing, at first glance, there is a clear disparity between the services. Ableton, which sells three products Ableton Live, Push, and Max for Live , is thus substantially more pricey than Logic Pro which is made exclusively for the macOS system. Add a few 3rd party synths and it will be a perfect solution for electronic music production. Thus, in terms of value for money, one might argue that Logic Pro X is the clear choice.
However, this only applies if the buyer already owns an Apple computer. This is in a similar ballpark to the price of Ableton if you added the cheaper Windows laptops on offer.
Logic Pro X Worth it if I Already Own Ableton? –
Apple has made Logic Pro X & Final Cut Pro available for free for a day trial and Ableton has made Ableton 10 Live free for a similar. From the price point of view Ableton is doomed. In fact, $ price for Logic Pro X is hard to beat for any DAW, considering what you get as a. Yes, it is if you want more features, sounds and editing and mixing capabilities. Logic Pro X is like GarageBand on steroids. GarageBand is basically a heavily.
Ableton 10 Live, Logic Pro X & Final Cut Pro Free For 90 Day Trials – Magnetic Magazine
Mar 10, · Honestly, it depends on your composition style. I’m more of a composer than a beatmaker. Logic wins hands down here. The MIDI editing, while frustrating at times due to stupid UI bugs, is far more capable than any other DAW except for Cubase. Jan 04, · Starting with stats again, Ableton Live 10 Suite scores you 44 Audio Effects, 11 of them Max For Live devices (we’re not including the nine CV routing/control modules), and 16 MIDI Effects, ten of them M4L; and Apple’s Logic Pro rocks 66 Audio Effects and nine MIDI Effects (plus, it’s uniquely able to load Audio Units MIDI Effects by a. I use both Logic Pro X and Ableton Live equally. Typically Logic for audio intensive projects and Live for MIDI intensive projects, but often i’ll make my MIDI in Live and then record all my audio in Logic – then I bounce it out and bring it into Live for final creation. The latest (today) thing was MaxScore/LiveScore, a free M4L package.